Maplewood Bar & Grill

AI of Maplewood Bar & Grill in Mattydale Plaza

  Maplewood Inn started as an indie hotel on 7th North St in Liverpool after Days Inn had moved a mile away, in a part of town with lodging off of I-81 and the Thruway with proximity to the airport. Then it became a franchise of Holiday Inn Express after the full-fledged one had left the once-again Randolph House on Electronics Pkwy (previously Sheraton, later Ramada, and now sister chain Wyndham) and the later original Comfort Inn on Buckley Road (previously covered). Either corporate or the franchise shut down the restaurant section over a year ago. Not too far away in Mattydale, the flagship Zebb's in the former kmart Plaza on Brewerton Road (US 11) had closed, so the owners bought it and we're still waiting for it to open. Mattydale, Hinsdale, Pitcher Hill and Northern Lights Plaza have all fallen into decline in recent years like many part of the country as far as business goes. The ongoing I-81 Project has also caused concern for the hotel owners. The economy overall worries everyone these days.

 I went to the original Maplewood once for Halloween a few years ago when looking for somewhere to go on the night (we'll cover that later before then). I've eaten at Zebb's on occasion over the years. That chain once stretched from Rochester to the Mohawk Valley. There isn't much left in that plaza, even with their neighbor across the street making an effort to prove presenter Dave Portnoy wrong. He must have slated Mattydale Plaza as well if he bothered to look at that, but much of these places were nice once. As for Maplewood, their menu is quite good, and they focus more on local artists like Ronnie Leigh, John McConnell, Little Queen (tribute band to Heart, not Queen), and Tom Chick (seen a couple of them at other places, not sure if two have played the old guard, I know about the tribute band being regulars, and I don't typically or specifically see area performers like I would for national artists). My idea is when they have events for specific holidays and annual traditions. After three recent  attempts at Mardi Gras, only to find it's not like the other holiday as in the South with a Cajun twist, maybe the end of Carnival could have some resemblance to Orleans Parish next year, and a Zydeco, Dr John type (he did OCC for Jazz Fest once), or other band could play (I'm not the Bill Graham of CNY, mind, so it's up to them who it is). I'll have to go through the year like Stevie Wonder to determine which ones would work. St Valentines Day, then Fat Tuesday if not the same day, St Patricks Day (perfect for the local), also an Easter Sunday buffet and community-focused get-together for those of us with nowhere else to go and/or no one to go with), Adult Prom (that was inevitable, but it's big enough from what I remember as Zebb's), Fourth of July with this years milestone, even my birthday since some people hold a public birthday bash, Labor Day if that's a thing for a show, the H-word, Thanksgiving, Christmas, and New Years Eve. Getting there by bus at nights and weekends may be an issue. Open Jam and something else are going to be a regular occurrence. It's still early days just finishing up everything. I really would like some small-time yet international names to come here once in a while without pushing out CNY ones like Jess Novak, Mark Zane (OCC professor by day), and Paul Davie (seen them too). I love supporting small and local business, even if I go to see hometown people per se to a lesser extent. I'm looking forward to the new Maplewood Bar & Grill and their continued success in future. Not to be confused with any other place called Maplewood, given the generic nature of the name (you know how it is).

Copied from our sister blog with a few edits. Dedicated to the memory of Steve Schad (Childhoods End [Pink Floyd tribute band covered earlier]/Beatlecuse [Davies tribute show]).

Arena

Arena, 2020. L-R: Kylan Amos, John Mitchell, Mick Pointer, Paul Manzi, and Clive Nolan.

Kajamera, CC BY-SA 4.0, via Wikimedia Commons. Courtesy Verglas Music/Wikipedia.

 Arena are a band that I have been dabbling with for some time, but unlike some of the related bands, I may not be getting all of the CDs since it gets expensive to go after all these every time I bring someone new into my collection. Mick Pointer, late of Marillion, and Clive Nolan, also of Pendragon, started the band in 1994, and there have been several different lineups ever since, which have included John Jowitt, late of IQ and Jadis; John Mitchell of Frost*, It Bites, Fish, Lonely Planet, and now Asia; and former Landmarq and Threshold frontman, as well Headspace and Rick Wakeman band member Damian Wilson (his joining is what got me to buy their most recent studio album, The Theory of Molecular Inheritance). Unfortunately, other commitments will have him moving on by years end. Paul Manzi left in 2020 to join the Sweet of all people, which some may consider selling out, by going from a complex prog band to a latter day lineup of a glam band from the '70s. However, he will be back for good by next year. Now I know why I used an old photo (Manzi was originally supposed to be on the last album before the split was announced). Pointer still plays his old bands music on occasion in a side project with original bass player Cliff Orsi, proving that he's no Pete Best. Mitchell and Nolan have also worked the late John Wetton of Asia on his 2003 solo album Rock of Faith, and the former on the Wetton (Geoff) Downes Icon series.
 Arenas sometimes dark lyrics and layered sound design resonate with me and many listeners. The band have been independent from the start, managing themselves and running their own label. They have built up a cult following spanning over three decades. Like other artists with simplistic names, they get confused with obscure artists of the same name on Amazon, where I stream them, Spotify and maybe even indie specialists emusic. Look for the Verglas label, or at least what you know is the real Arena on these services, given the generic nature of the name. No word yet on the next studio album now that Manzi is poised to return in one years time. At least I can easily stream the band at home as I can on the go and at home, but that will be the next post, this being the first in 2026. I guess it comes from getting bored of the other bands and despising current mainstream rubbish. I may have even designed the next albums sleeve for them out of sigils, which current bass player and art director Kylan Amos could adapt, even though AI even knows his style. I drew them for something else while playing the band the other week..
    One more live album would be nice from the current lineup. Tracks like "Valley of the Kings" from the latest tour have not been officially recorded or filmed live with Wilson (or even original singer John Carson [no relation to Johnny Carson] for that matter from the first album and tour, if any, since there was little live activity with him, and he imitated Pointers former colleague Fish at times to where they had to play the old guard just to fill the set and seats at the same time). Bootlegs don't even seem to exist of Arena (pirates do, but we've been over that with other people), while shows of different lineups are on YouTube, including some of the oldest from early guitarist and seasoned session player Keith More, who is terminally ill and once worked with Paul and Linda McCartney, sharing an interest in animal rights and the environment. Increasing security at most venues these days make it much harder to film or record most shows, yet one survives from this past year on video (it wouldn't be worth it to try to copy the audio and spend all day trying to split up the tracks, which is why there should just be official soundboard recordings fans can buy, or even what the Grateful Dead allowed when they were still together with a taper section and trading recordings, yet Arena are indie and are more cult than the Bay Area icons by comparison, so it may not be feasible in the current climate).
    I hope to get more from Arena as I can afford. They have been upstaging everyone else, even those I know and love. I know I can build on this as I have for much of the collection I've accumulated.

AI of original album design for next album

Tickets, Touts, and Taylor

David Gilmour at the Peter Green Tribute Concert, 25/2/20

 When oasis announced their reunion tour, fans made a mad rush for tickets, even though they were hundreds of pounds, and they were slated for it. Even worse, touts were already reselling them for even more, so the band are putting a stop to it by making the tickets exclusively for who bought them, just as Kate Bush had a decade ago for her rare residency at the Eventim Apollo (formerly Hammersmith Odeon). On the contrary, her old friend and mentor David Gilmour is about to have his own tour, and  when I looked at downstates dates coming after another event in the tri-state I would like to attend (story for another day, but I'd stay at the same hotel to save time, even if I'd be on the tube late at nights, or run into his former colleague), one was sold out, and the other a right fortune. Ironically, when I went to an article on Pearl Jam (who boycotted Ticketmaster in 1996) and there was a link to a third-party reseller, both dates were available and had seats at a remotely doable price and distant location in the arena. Last time I went there or the region was to see Paul McCartney. He and Peter Gabriel (you can connect the dots by now) were at Taylor Swifts concert in London a while ago (the old guard come to her). Swifties seem to spend less by going overseas than trying to see her in the US. I know it's too easy these days to write about missus, but even she's a scapegoat of the Live Nation/Ticketmaster monopoly. I'm lucky to get to one name show this year, which is Duran Duran back Upstate at the casino, but I'd have to win the pools well before that since I need time to plan and pay for the lot. I also have to see what they're doing with the Fairfield County do the night of Durans own show at the Garden because it can be too much and they're not that close together since it's a big area. Like most people at this stage, essentials come first in this economy before even considering hols or big shows anywhere.

oasis: 30 Years On

oasis at the Patriot Centre in Fairfax County, VA (DC area); 20/12/08

 The return of oasis after fifteen years time is something many fans hoped for, but thought would never happen. The volatile relationship of Liam and Noel Gallagher has long been a sticking point. Reports of a tour next year are coming out now with ticket prices reaching as much as thousands of pounds. Nothing about a new album has been announced yet. More as this develops.

Yes - Mid-Hudson Civic Centre

Yes later in 2010 in Paraguay

Show was on 2/2/10. I used to live several miles north and it brought me back to the area after a decade away. This was only bumped up because there was no image until now. This would be the last time I would either go to the mid-Hudson Valley or see the band again (as Benoît David and Oliver Wakeman had left the band after that, and Chris Squire and Alan White are no longer with us, while I'd see Steve Howe three more times in Asia, including six months later in Rochester). Setlist.fm has the right order.

Setlist (in order of original release except *):

Siberian Khatru*
I've Seen All Good People*
Astral Traveller
Yours is No Disgrace
South Side of the Sky
Heart of the Sunrise
And You and I
Onward
Machine Messiah
Tempus Fugit
Owner of a Lonely Heart
Masquerade/SH Solo TBD
Roundabout*
Starship Trooper*

Dropped:

Clap
Mood for a Day
Aliens Are Only Us from the Future
Close to the Edge
Soon
Parallels
Awaken
Long Distance Runaround

This was my third time seeing Yes, the second with Benoît David and Oliver Wakeman (and the bands second time at this spot). The was smaller than the last two places I went to, apparently because it's a small town. I used to live in the area, so I came in on the train.
There were just a couple minor flibs, but no one noticed. It wasn't 100% full, but people of three generations came. A lot of people were having drink standing up at the side of the auditorium.
I've accepted Benoît enough that I picked up his other band Mystery's CD before the show and paid $20 US. That's another story. However, I still hope things are patched up with Jon Anderson in future, as we all do. Or maybe he can't handle these long tours anymore. He's an old man now.
I had to leave just as the last song finished to catch the bus, but I didn't miss that much.
The old guard still have what it takes and you won't see them at over-60s anytime soon! The local press still mention all three as original members. Of course, we know better! Oliver came more into his own. Just wish his vocoder sounded better on "Tempus Fugit". Benoît makes the songs his own. Some people still slag him off (excuse my language!).
Overall, I give it an A-, and a good time was to be had by all.
Because there was no studio album to promote, the merchandise table had solo albums instead, akin to the 1976 tour. I bought Beneath the Veil of Winter's Face from Mystery (Benoît David) I already have (Alan) White and Fish Out of Water (Chris Squire). Holding out for Homebrew 4 (Steve Howe) on emusic.

Marillion: Childhood Mysteries

 

The cover that was meant to be

    Marillion played Castle Donington in Leicestershire in August 1985 on an all-star bill that included ZZ Top (on their Afterburner tours Europe leg), Bon Jovi (not yet that big, promoting 7800° F), Metallica (between albums) and Magnum. Whether Marillions show was soundboard, radio or just the typical fan recording is likely one of the mysteries! It's when it made it onto bootleg is what leads us here. One early edition looked more like an early '70s head shop release with a cheap photocopy cover with what looks more like a drawing Peter Nicholls from IQ. Another looked like an apple of some sort. The most common is what may drawn intrigue for nearly four decades for diehards of both bands. The label probably tried to come up with something at short notice comparable to Mark Wilkinsons fantasy style, so they decided to steal another designers sleeve. Rodney Matthews drew the cover of Magnums 1983 release The Eleventh Hour! It was originally released on Jet Records, Ozzy Osbournes former solo label, and his estranged father-in-law the late Don Arden ran it and would have sorted out whoever nicked the sleeve if he knew! On one of the Facebook groups, a fan showed his copy of the LP that Fish signed. I had Bill Bruford sign a King Crimson pirate CD, but that's a bit different (we've done that).

    Magnums lead songwriter and guitarist Tony Clarkin, who passed on 7 January this year, didn't like his own band being bootlegged (most people wouldn't). The last thing he'd want is for the cover of one their studio albums being used for another artists bootleg. When I bought it a few years ago in my area at a great price, I didn't realise at first until it said so on Discogs. I had an earlier Marillion drawing combining elements of Script for a Jesters Tear, Misplaced Childhood, Brave and Marbles (the last two from the Steve Hogarth era), but the original disappeared a long time ago and I'd have to see if it's still online somewhere. I went to the charity shop and bought this bordered paper and coloured pencils, originally for a promotion next door at the coffee shop for St Valentines Day (they got one of my cats!). I also had some pastels for bits that couldn't be pencilled in. I was trying to make Robert Mead, the youngster on the Misplaced cover in the style of Loren Bouchard (Bobs Burgers/The Great North) because I don't draw people too often. He turns out similar to The Great Norths Moon since they'd be the same age and have the Will Byers (Stranger Things since it's that time period) look to boot!

    I have Magnum to get for Boris and I wouldn't have heard of them if not for the list. I may look into them myself. The Eleventh Hour! isn't on it, but he could get it for me since I may not find it on my own since little of theirs came out in North America in the old days. If part of the cover is missing when it comes, I'll just photocopy the bootleg and cover up Marillion parts with bits of scrap paper. Even band photos of the show would have worked better once it was on CD, although it'd be a matter of getting cameras past security (video ones even more so once they were more versatile for the consumer market long before mobile phones could do all this and the internet), yet several photos were taken and are available. One could hide tape machines somehow. They scan for such things and even have clear bag policies in some venues today, yet people can still get these made if they have the knowhow and connections. It was still the Wild West in the '80s, and more of a challenge by the '90s as artists and venues became more strict about this. At least I could put to bed this anomaly of a bootleg cover.

Here are the tracks anyway. No Kayleigh or Lavender.

A more original yet Ghibli AI cover

Apologies to Rodney Matthews and Studio Ghibli

AI images courtesy ChatGPT Open AI (created March-April 2025).

Jadis

Gary Chandler, 2006

 Seems every now and then, I add another artist to my long collection, and this time it's another prog band with a cult following called Jadis.  I find their 2003 album, appropriately called Fanatic at the shop, and I buy it because two members at the time were also in IQ (Martin Orford, who since returned after leaving the business over piracy, and John Jowitt) and the drummer Steve Christey has worked for the late John Wetton on solo albums and with Geoffrey Downes on the first two Icon albums prior to the return of original Asia proper.  Turns out I friended frontman Gary Chandler on Facebook several years ago, but thought little of it until a couple months ago, as it was now meant to happen (and added Jowitt recently, and told him that I got an autographed CD of the band), even though he's not any more active on social media personally than I am.

Then there's trying to get more CDs.  The next two I bought I had to get online.  They weren't cheap, mind, and I've paid a pretty penny for other people.  A lot of them are a right fortune that, and I know where in person they might be available at a remotely better price, given the rise on essential items these days (they only had one, but with some determination, the follow-up could be found on amazon via a German seller I know at a doable price as other sellers there, Discogs and eBay charge an arm and leg for P&P alone).  The band have their own label and have the same indie distributor as IQs label, so they could reissue these albums, making them more affordable and available.

I also need a freely licenced photo for Wikipedia as the ones I used here can't be used there, just adding to my Holy Grail wild goose chase!  If they could play the US, I'd take my own, but it's hard enough right now to tour near home, and they don't have the same resources as some of their peers like visas and a budget, even if they started a crowdfund appeal like Marillion used to do, since Steve Rothery have helped Jadis get their foot in the door.

Paul McCartney in Rochester, NY

Back at the Hollywood Bowl

Paul McCartney has been coming to Upstate New York in recent years, and I've gone each time in Albany, Buffalo, and close to home in Syracuse.  The next logical step is Rochester.  Downtown has Blue Cross Arena, where I saw Fleetwood Mac over a decade ago.  He'd close the place as he does everywhere he goes.  Two of his former drummers, Joe English (Wings 1975-77) and Steve Gadd (1982-83 albums) are from the area.  This year, there are no Northeast dates so far, even the tri-state, where I've gone twice, or even Canada, where I went across the lake from Rochester in Toronto.  For open air, there's Six Flags Darien Lake in Corfu (back under that franchise, yet considered part of the Buffalo area) and CMAC in Canandaigua (which is thought of more as an exurb of Kodak country), even though these are small towns and that kind of traffic may be too much for them.  Rochester is easier for me to get to for a show, but I only spent the night once when Asia were in town (one of only two times I saw them outside CNY).  Maybe next year, Maverick Management (Madonnas old company) could have the booking agency look into Monroe County.  I may have to go on my own again as one I used to go with had their fill in Albany of gigs and others have more important things going on right now to come with me.  Just hope I can afford it and can avoid touts after tickets sell out which one expects from this beautiful man that I've grown up with.

Childhood's End - Pink Floyd Tribute Band

Ian Cattell (left) in Brit Floyd

There used to be a Pink Floyd tribute band in my area called Childhoods End (no relation to one in Italy nor a track by Marillion for that matter).  I have seen them at Palace Theatre and Westcott Theatre in Syracuse.  They went the way of the real Floyd a couple years ago.  Their site said so but then it had something else and then was taken off.  Ian Cattell would be hired several years ago by The Australian Pink Floyd Show former member Damian Darlington (above right) to form Brit Floyd who I saw the other night after missing the last two times local boy (Cattell) was back in town.  Childhoods End meanwhile carried on with another lineup or two until they broke up amicably.  Two regular venues, Uptown Theatre in Utica and Suzys Tavern in Auburn have also gone out of business.  End had fewer resources than the others and the furthest they've played was Jim Thorpe, PA if not somewhere else outside CNY to my knowledge.  They released no CDs or DVDs.  Even a gofundme or indiegogo appeal now might not gain as much traction as an all-original project would.
There have been a plethora of Floyd tribute bands founded over the past three decades such as The Machine who I saw in town as well.  The two Commonwealth ones can have more people on stage like backing vocalists and additional musicians to do the songs justice.  CE at least staged The Wall but having fake bricks like solo Roger Waters would was either a fire hazard inside a smaller place or not practical on a budget as licence royalties may be considered among other possible costs.
Steve Schad who played keyboards in CE has gone on to another tribute act called Beatlecuse who I saw twice last year but is the name of a show with a collective of local people and guest doing Beatles et al.  Other members such as Tom Robinson (guitar), Eric Garboushian (drums), Jimmy Simpson Puma (bass) , Gregory John (guitar), and others have moved on to other things for all I know.  Did see former manager Greg Jackson and his wife Sandra (who took photographs of the band during the show) at the chippy last year.  At least one could see Waters if they can make the trip.
I just wanted something to give the band and fans closure as there's nothing saved on record about the End of Childhoods End which is named for a track on Obscured by Clouds which true fans know.

Greatest Hits/Best Ofs

Rihanna in concert, 2011.  She came to Syracuse just months before this show.

I don't usually write about todays Top 40 artists because it's almost too easy (I'll just let Perez Hilton do that), yet there are a number of them as well as some from yesteryear that have yet to release a greatest hits and/or best of album and have enough of a track record now to fill one up.  Russian bootleg ones exist of many of the following, but an official release is imminent for all of these artists:

Rihanna (above; already approaching the tenth anniversary of "Pon de Replay"!)
Beyoncé (Destinys Child have one)
Coldplay (Chris Martin recorded a duet with RiRi which could go on both albums)
Justin Timberlake (there is one for 'NSYNC proper however)
Kate Bush (last one was in 1986, so she has more tracks to collect)
AC/DC (have refused to put one out, yet the end of the band is likely not too far off)
Metallica (also declined to make a compilation and own their masters)
Lady Gaga (just performed with Metallica at Grammys)
Tool (not quite mainstream yet they too don't believe in a collection)
Katy Perry (maybe in 2018 for the 10th anniversary)
Scissor Sisters (overlooked at home and currently on extended sabbatical)
Lana del Rey (yes, even her)
Selena Gomez (includes with the Scene)
Miley Cyrus (not including her Hannah Montana material from more innocent times)*
The All-American Rejects (much of these are on Polydor where I found many of these)
Take That (also underrated in the US yet have enough since their reunion over a decade ago)
The Jonas Brothers (the teenybopper nature of their classics may limit their appeal now)
Yeah Yeah Yeahs (including some solo Karen O)
Mariah Carey (compilation and/or boxed set of her Universal-owned albums)
One Direction (now on hiatus)
Taylor Swift (may have to wait until 2018 as new album is out; her ex is in 1D)
John Mayer (Taylors other ex as well as Katys; Mr-Can't-Make-a-Commitment!  Coming soon to CNY)
Calvin Harris (this isn't a gossip column, yet he also used to be with TayTay!)
System of a Down (a new studio album is needed as well)
Little Mix (even them already)
NERD (could throw in solo Pharrell Williams*)
Justin Bieber (even though "Baby" and "Love Yourself" couldn't be more different; Selenas ex)
Susan Boyle (the time has come for a collection; I do admire her for being a late bloomer nonetheless)
David Gilmour (should keep live versions of Floyd proper classics off so he can stand on his own)
Kanye West (he thinks he's the greatest and may also think that of every track he's recorded.  I'm not endorsing this baciagaloop, just saying how even he might consider putting a collection together)
Alicia Keys (may have to wait until later in the year as Here is still fresh in promotional phase)*
Usher (will also have to wait as his latest release hasn't been out that long either)*
Shakira (this one would be of her English-language hits like "Don't Bother" and "Underneath Your Clothes")*
James Blunt (currently has a studio release to plug, but a compilation next year would mark a decade since "You're Beautiful")
Muse (bought a few of their studio albums for you-know-who but even he can't be bothered with cherry picking)
Fiona Apple (could also use another new album first)
Fantasia (only Idol alum here)

*The Voice judges past and present as this pattern occurred.  No past contestants combined however have enough to do a collection just yet!

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