Courtesy Round Hill Records |
By the cover art can be obtained from Round Hill Music / Zuma Rock Records., Fair use, Link
Courtesy Round Hill Records |
Denny Laine, 2016 |
The music world is in shock over the death of Denny Laine after suffering from pneumonia for the past few months. It's another reminder that much of that generation is getting fewer by the day. It also brings up the fact that most of his solo catalogue is still out of print. I've brought this up when he was alive, and with others who are also gone now where some have theirs reissues and some not yet. It's too soon right now for his family to even consider that at this stage. Also, the rights lay with several different companies, mostly small labels. Most albums and CDs can have hefty prices and now that Laine is deceased, they will likely go up more. I managed to get 1988's Lonely Road at a doable price. I even settled for a US LP of Holly Days for pennies before we learned of his illness. His widow Elizabeth (like John and Lisa Wetton, they were only married a short time) said there was even a new album recorded that could be released in the new year when the time is right. I managed to get a reissue (there are too many, usually tagging Paul McCartneys name on) of Japanese Tears called In Flight signed in 2016 at BeatleCuse: The Deux Over in Syracuse (Beatles tribute concert, one of two he did that year).
Even Jim Diamonds catalogue remains unavailable several years after his passing, yet he's not as well known compared to Laine. Even some limited editions would be enough since having copies made en masse may not be feasible in this economy. Some reissues disappear when interest wanes on both major and indie labels. Streaming services are taking off programmes to cut costs, so it doesn't always bode well for niche artists like this. The demand has to be there before the work can be done as the Facebook group I help run has diehards asking for lesser known people in an age trying to compete with Taylor Swift and Beyoncé. Laines work reminds us of a simpler time. There are also several compilations of the original Moody Blues available, sometimes combining with the later era (Mike Pinder is the last surviving founding member). I may now spend the next ten months trying to get everything. It'd be great if I won this competition for a $5,000 gift card for amazon.com so I could get the pricier ones from third party sellers that are there, while I'd have to win lottery tickets or even try my luck at local shops for other titles (they could be gone by the time I get there if there was ever anything left).
Downloading is never enough and Denny would turn in his new grave if we did that (from pirate sites, of course). We should suggest to the original or reissue labels that these albums need to come back and streaming them, even on a legal service is too easy and earns twopence for the estate. Get all this sorted by what would have been his 80th birthday on 29th October (now in the same boat as Peter Green).
Goodbye, Denny. It took a long time to forge your own path and I tried to catch up for thirty years. Hope you and the other original Moodies, Jimmy (McColluch) and Linda can play together now. RIP.
Anita Baker at the Lincoln 2.0 Festival, 2009 |
Haven't posted here in six months' time, having focused on the sister blogs and my life, but the time has come to write about an artist I remember from growing up that I don't listen to or hear from often, this time being soul legend Anita Baker. Four years ago, she was able to get back her masters from Warner Music Group, where was signed to Elektra Records (transferred to sister label Atlantic in the mid-'90s when for AC/DC and Yes, it was the other way around until the parent company spun off of Time Warner in 2004 and the former moved to Sony and A&R queen Sylvia Rhone to Universal). While the dispute was a couple years ago, it took six months to settle. Warner has divested other artists this past decade since buying Parlophone from EMI. The past three years saw artists and songwriters selling their rights. Baker is setting a new precedent by getting them back. I asked the crystal ball which label would put out the remasters, and it would be Craft, the reissue label at Concord, one of the largest independents in the world, which also acquired Natalie Cole, REM, Jewel, Violent Femmes and Collective Soul from WMG. Nothing officially confirmed, of course, so more as this develops.
Tina Turner acoustic performance in Manchester, 2009 |
Tina Turner has entered the next life at 83. She leaves behind a legacy of music and survival. Many assume her 1984 breakthrough album Private Dancer is her first after leaving the ex (as stated in 1993 biopic What's Love Got to Do with It? for dramatic purposes), but she released four solo albums before that, most have never been on CD. They are Tina Turns the Country On, Acid Queen (which she played in The Whos Tommy), Rough and Love Explosion. These have been released by United Artists, EMI, and/or Ariola Records. EMI bought UA by 1979. In 1983, Turner had Australian manager Roger Davies (who also manages Cher and Olivia Newton-Johns estate) spearheading her comeback and got her signed to then-EMI subsidiary Capitol (she later transferred to then-sister labels Virgin and Parlophone) after a few years playing clubs around Europe, including behind the Iron Curtain. It was like she never left.
I got Boris Private Dancer, Break Every Rule and Foreign Affair as they were on the list. Yet these lost albums may have been unavailable because they may have reminded Turner of that difficult time understandably (the third one is obvious). They could be reissued as two CDs since two albums can fit onto one CD as both official and unofficial reissues alike have done that to save money. BMG (which used to own Ariola) bought her catalogue a couple years ago as part of a buying spree of her peers' work started by onetime colleague Bob Dylan not long before that. It would likely be up to them, Davies and Turners estate and family if these albums ever get remastered as it's just too soon right now.
UPDATE: All four will be re-released on vinyl and CD on 15 November 2024 by Rhino/Parlophone.
Courtesy Legacy Recordings/Sony Music Entertainment |
By The cover art can be obtained from Columbia / SME., Fair use, Link
Aerosmith are about to be on their final tour (my sister might go), but without drummer Joey Kramer, who retired from the road in 2020. It's now fifty years on since their first album, and frontman Steven Tyler purposely changed his voice since they were all a right bundle of nerves being new to the studio in early days. Lead single "Dream On", which wasn't a hit until after Toys in the Attic was released, will show you (I recently discovered a cover version with the late Ronnie James Dio and Yngwie Malmsteen on amazon Music from one of those budget compilations). With AI being more than what sci-fi legend Isaac Asimov had ever imagined, it can be used to change ones voice (ex-pat Canadians Drake and the Weeknd being at the centre of AI-gate). What could be done is make Tylers voice sound like it did from 1974-80 and even enhance the others' playing due to their inexperience with a producer in those days (I'm not wholly familiar with the bands work myself). If A&R legend John Kalodner (who appeared in drag in a couple of their videos in cameos and even on The Simpsons), who signed them, Peter Gabriel, Asia and possibly Elton John (in the US and Canada) to Geffen still worked with them, he might not have allowed this, but he's a pensioner now. Aerosmith themselves would also have to approve, of course. There could be a remaster with a remix of the original album and a new one with the AI vocals. It could be done, as no one has announced an official release of anyones work with such manoeuvres just yet. It's being considered and already being done for new material. Until then, we all can just "Dream On".
Courtesy Warner Records/BMG (non US/Canada) |
By The cover art can be obtained from Vertigo / Warner Bros. (US/Canada)., Fair use, Link
It's been forty years time since Black Sabbath released one of the most distinct and controversial albums, and one of the few without Ozzy Osbourne, Ronnie James Dio, or Tony Martin. After Dio and Vinny Appices departure in 1982, most of the original lineup sans Osbourne hired Ian Gillan late of Deep Purple and his own band to take over on vocals, but he was from another world than them and to this days, there remains mixed reaction to this album. Producer Robin Cable Black previously worked with Genesis, Elton John and Queen. Bev Bevan from fellow Brummies ELO (they shared management with Sabbath then) did drums on tour, and for one track, a misunderstanding on set measurements inspired a famous scene in This is Spin̈al Tap. After the tour, Gillan was on-again off-again with Purple, while there would be a revolving door of lineups at Sabbath until 1997s Reunion.
The original Ampex master tapes were unavailable for over three decades, but they were found a couple years ago, according to Tony Iommi, and here's hoping that a remaster is available by October for the anniversary on double vinyl and CD from Rhino in North America and BMG for international. The second disc would be of outtakes and/or live tracks. We're still waiting for Martins era of the band on IRS Records to be reissued however, and it can take just as long, if not longer, to remix and remaster as it did to record it in the first place, as well as sorting through the red tape as it were. There had been a deLuxe Edition in 2011, but it was from other tapes, so now the album can be given justice. The LP can replicate the custom UK labels and sleeve with updated information (the Western Hemisphere had standard ones), Right now, I'd be lucky to come across the original import LP in the shop again.
amazons Headquarters in the Seattle-Tacoma-Vancouver area |
amazon.com needs no introduction, yet they don't really really have everything that I'm looking for. Some things aren't even almost out yet, are digital only (like Boy Georges latest solo album), or aren't even available through the megasite. For the wishlist, there used to be a feature where one could add an idea if that were the case, but not anymore. It may not have been used enough, or they don't want you going somewhere else (close rivals Walmart are having trouble, but more because they were nicked and burgled). I have to wait a while before adding the new Yes and solo Morten Harket releases, while Fish would rather sell his new live albums direct or (because of post-Brexit VAT) through an EU-based indie distributor (and can you blame him, given his past troubles?). I've gotten pro-CD-Rs of Al Chantrey (né MIA Alan Williams), Alan Reed (now back in Pallas) and the late Ray Thomas (from during a Moodies hiatus), even though I was expecting real CDs of the latter two. I can't stream Genesis' new boxed set BBC Broadcasts on amazon Music, Spotify or even the pirate site to save money buying it.
The rare Katy Perry CD I mentioned last time (née Katy Hudson) I couldn't sell there because I'd have to start a whole sellers account and have other items, which is not an option for me, which is why I brought her to another competitor, eBay. amazon, meanwhile, recently opened a sorting office or two in my area, and I only wish they'd also open an amazon Fresh and/or Whole Foods too (more on that at the sister blog, of course). I bought the new Rick Wakeman on amazon and found that the local place had it too, which they don't always have, yet I earn my points on Bing religiously. I also go online if the edition I want isn't here in person. If I can't get it with Prime, I know of a few third party sellers in the UK and EU.
Compared to most people, I don't really spend that much on amazon. Can't really afford to. Too easy anyway. One can get carried away, which isn't good with the economy right now, you know.
Poor quality low res snap of CD for eBay listing |