A&M Records

Sting in Alachua County on his first solo tour in October 1985

 After writing about Dark Horse Records, I went to Wikipedia and clicked on their original distributor A&M Records and found that the label would be relaunched. However, no sources such as Billboard, Rolling Stone, NME, Variety or the like were cited, making this a mere rumour, as Wikipedia can be unreliable if anyone can just put something up, making Fleet Street look like Utne Reader. A&M has been largely dormant in recent years, especially since the late '90s when PolyGram were sold to Universal. The former bought A&M, Island and Polar a decade earlier. In the US, A&M were clustered with Interscope and Geffen. The split between Universal Studios and Music Group in 2003 changed things further. Octone moved from J/BMG to A&M after the old BMG launched their JV with Sony in 2004 and Maroon 5 would eventually appear on Interscope. Sting has been carrying the torch of A&M since he was in the Police in the late '70s and only a few classical releases are on sister label Deutsche Grammophone (he'll be in Syracuse again in April with Billy Joel). Rick Wakeman had a solo deal with A&M coming out of the Strawbs, but it complicated what he could do in Yes at first, and A&M didn't always support his decisions, and he left the label and Yes in 1980, despite personal issues at the time.

Polydor UK did relaunch A&M on their end once and signed Duffy (on an equally brief reboot of Mercury [not counting Nashville like with MCA] across the pond). Jim Diamond released his first two solo albums on A&M, yet put out his fourth on Polydor, which could either have been to complete the old deal because an A&R left, or was an unrelated new one. His widow would have to answer that.

Supertramp would work their way up to become of the biggest successes for A&M. Roger Hodgson would stay on his own after leaving in 1983 for the first couple solo LPs before a long hiatus. The Carpenters safe as houses sound brought gold and platinum despite their Karens eating disorder. Amy Grant blazed a trail for the Lord being between A&M and Christian label Myrrh making her catalogue more available and becoming the cross-over queen. The Canadian branch had Bryan Adams, Gino Vannelli, Andy Kim, Susan Jacks, Terry Jacks, Bruce Cockburn, Véronique Béliveau, Jann Arden; Sharon, Lois & Bram; Fred Penner, and Raffi (even the Cancon kiddie scene counts). The boys tried to sign with A&M, but were turned down (their loss). Styx and Supertramp were the biggest international acts at the Toronto arm and overall in Canada since the Beatles and Elvis Presley, I would suppose.

I gave you the Cliffs Notes version of A&Ms history, yet we need something that confirms a new one is about to start. The label has a rich legacy and you'd never think it was technically indie in the old days.

Dedicated to the memory of Jerry Moss, who would have been proud to see the label return, despite the two legal rows he and his former colleague Herb Alpert have had with the two subsequent owners over its corporate culture (Alpert moved his lot to a new label since then).